Shijie Xu

Jewellery & Metal (MA)

About

Shijie Xu, is a metal artist, digital artist, object maker. He completed his BA in Fashion Accessories Design at Beijing Institute of Fashion Technology in China.

In an interdisciplinary context and his passion for philosophy and humanistic sociology, throughout his studies in jewellery , fashion and contemporary art practice, he have developed a profound understanding of material properties: this is reflected in his hands-on experience with a variety of material experiments, including the use of ready-mades, visual innovations and interactive virtual materials. Beyond this, he have delved into the historical trajectory of metal and material usage, viewing it through various disciplinary lenses and recognising its integral role in human history.

Shijie’s research in RCA focus on the shaping of dietary identities in a political narrative context. In the current era of pursuit of equality, respect for multiculturalism and change against exploitation, in the face of traditional dining culture with strong class attributes, by making contemporary design of traditional tableware, which blur the boundaries between jewellery and dishes, to enable diners to critically think about what they eat and the way they use tableware.

In the first set of designs, he blurred the line between jewellery and tableware. When the person or the diner himself wears the tableware, one part of his body becomes the food being eaten, and the other part of his body becomes the jewellery and the tableware itself. As one eats, one is in a sense also being eaten by oneself, or by others.

In the second set of design, he replaced the functional and decorative parts of three common cutlery. The critical design of the objects makes the diner visually appear to be consumed in reverse while using the reversal cutlery. It makes people rethink their dining identity.

I hope that through the transformation of the contradiction between subject and object and the deconstruction of active and passive behavior, people can critically think about the identity relationship between our bodies, objects and environment in the context of political narrative.

Content Warning

The content on this website may contain themes and materials that some users find distressing or offensive. Further, the content on this website may not be suitable for individuals under the age of 18. User discretion is advised.

Any views and opinions expressed in this student profile represent the views and opinions of the student and do not necessarily represent the views or opinions of the Royal College of Art or its employees or affiliates. The appearance of any views or opinions on this page do not constitute endorsement of those views by the Royal College of Art. This student profile has been made available for informational purposes only. The Royal College of Art does not make any representations or warranties with regard to the accuracy of any information provided in this student profile, nor does it warrant the performance, effectiveness or applicability of any listed or linked sites. The Royal College of Art is not responsible for the content submitted by any user, or for the defamatory, offensive or illegal conduct of any user. If you wish to report any errors or inappropriate material that may cause offence, please email feedback@rca.ac.uk 

To opt out >