Bohan Duan

Print (MA)

About

一个人。

我们/存在/
我们/是/
我们/不是

Bohan 通过多种媒介探索个人与环境之间的复杂关系,批判性地探讨时间和空间动态的哲学和社会政治层面。受物派和道家哲学的影响,她的创作倾向于使用原材料来破坏固有属性并释放潜在的叙事,并通​​过美学来呈现哲学思考。

在作品《最佳食用期:6 月 20 日之前》(2024 年)中,鸡蛋是高度商业化环境的产物,也是个人生活的载体。人类赋予鸡蛋的象征价值将他们的身份从生命转变为商品。通过使用过期鸡蛋,博汉打破了“框架”,强调了将自然物体商品化的荒谬性,并挑战观众重新思考技术、自然和价值之间的紧张关系。她的雕塑中工业材料和自然材料的相互作用也体现了道家哲学对对立力量之间和谐与平衡的重视。

她的一系列特定场地雕塑从米歇尔·福柯的“规训权力”概念中汲取灵感,挑战了游乐园固有的空间控制和监视概念。她旨在通过颠覆游乐园结构的预期功能和破坏主流空间叙事来质疑控制我们在公共空间内活动的规训机制。

 

 

Content Warning

The content on this website may contain themes and materials that some users find distressing or offensive. Further, the content on this website may not be suitable for individuals under the age of 18. User discretion is advised.

Any views and opinions expressed in this student profile represent the views and opinions of the student and do not necessarily represent the views or opinions of the Royal College of Art or its employees or affiliates. The appearance of any views or opinions on this page do not constitute endorsement of those views by the Royal College of Art. This student profile has been made available for informational purposes only. The Royal College of Art does not make any representations or warranties with regard to the accuracy of any information provided in this student profile, nor does it warrant the performance, effectiveness or applicability of any listed or linked sites. The Royal College of Art is not responsible for the content submitted by any user, or for the defamatory, offensive or illegal conduct of any user. If you wish to report any errors or inappropriate material that may cause offence, please email feedback@rca.ac.uk 

To opt out >