About

Yoon Young Jeong (South Korea, b.1997) is a contemporary artist working across sculpture, photography, film, storymaking, and installation. Yoon Young’s work highlights how individuals are categorized and objectified within changing sociocultural environments. Much of her work is rooted in her interest in psychological and sociological concepts, reflecting the evolving cultural trends of various eras. These concepts, which form the basis of her work, range from Blanket Syndrome and social masks to surveillance capitalism and scopophilia. Her works traverse light and heavy topics, personal and collective, depicting each subject through her autobiographical experiences and thoughts.

Her interest in materials, which began with her BA in Craft Design, extended beyond her major in metal and textile crafts. Before starting a new work, she conducts material research to effectively convey the theme, leading to installations incorporating writing, photography, sound, and film. Starting with her work, Sheep in Wolf’s Clothing (2023), she explored creating environments that straddle the boundary between reality and unreality through storymaking. This approach evolved into filmmaking with her project, Phenilo (2024). Through her MA experience, Yoon Young has contemplated the relationship between participatory art and socially reflective art, devising methods to invite audiences to become active participants in her work through selective sight and deliberately fragmented and distorted perceptions.

She lives and works in London.

 

 

 

Phenilo (2024)

This work, titled ‘Phenilo’, is divided into 4 parts, video work, book, audio narration, and installation space. This project explores various forms of love through the lens of a science fiction narrative. Centring on a drug, Phenilo, that extends the duration of love, It shows how the main characters learn to understand each other’s differences.
This architectural sculpture is where the video is displayed separates the visual language from written and voice languages, allowing for different interpretations and experiences of the same subject. This installation space blocks the video from outside viewers, encouraging two types of audience engagement. Firstly, outside viewers see only those inside the installation as part of the artwork through a frame, leading them to perceive other viewers as part of the piece. Secondly, a gap in the polarizing film invites viewers to discover the ongoing video and encourages direct participation by moving beyond the wall.

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