Inez Madeleine
About
Inez Madeleine
The text found here is an excerpt from a book form project entitled, Documents of Longing. Documents of Longing is in progress having been started on the Writing MA. The text here is a partial excerpt of chapter (The Fifth Elegy), entitled “And Winter”.
Documents of Longing could be considered an extended cento, or an expanded cento form. Cento being writing that is composed of quotations, I use this term because the structure of the text is based on the memory of reading. It is the weight and counterweight of references that are grouped to forge the basis for wide emotional metonyms, or rooms. The process of identifying personal metonyms is through accumulation and percolation, it is an interest in details, signs, linguistic catches, and crossings. It is the categorisation of memories into the silo of a single image, an image that then becomes the value of a single emotional action, such as crying. (The metonym room I have crafted for crying is a Snow Room.) These rooms are based off the peripheral workings of memory in our daily lives, like what image flashes before you when the hot gush of an arriving northern line tube hits you, on some days it’s a beech tree with its attendant talking wind. These associations are not explanations, but they are felt knowledge that I implicitly value.
Email: inezmadeleinereeves@gmail.com
Content Warning
The content on this website may contain themes and materials that some users find distressing or offensive. Further, the content on this website may not be suitable for individuals under the age of 18. User discretion is advised.
Any views and opinions expressed in this student profile represent the views and opinions of the student and do not necessarily represent the views or opinions of the Royal College of Art or its employees or affiliates. The appearance of any views or opinions on this page do not constitute endorsement of those views by the Royal College of Art. This student profile has been made available for informational purposes only. The Royal College of Art does not make any representations or warranties with regard to the accuracy of any information provided in this student profile, nor does it warrant the performance, effectiveness or applicability of any listed or linked sites. The Royal College of Art is not responsible for the content submitted by any user, or for the defamatory, offensive or illegal conduct of any user. If you wish to report any errors or inappropriate material that may cause offence, please email feedback@rca.ac.uk