History of Design (MA)

Decorative.

Introduction

The V&A/RCA History of Design programme is a unique MA, jointly delivered with the Victoria and Albert Museum. Straddling the art college and the museum, we combine rigorous scholarship with experimental methodologies and cross-disciplinary collaborations. Our expansive chronology ranges from 1400 to the contemporary and our geographies are truly global. Our work is public-facing and socially and environmentally engaged, encompassing histories of material culture, photography, and performance.

This year’s graduating cohort of 29 students collaborated on a sell-out symposium (‘I Love Things’), and accompanying publication, exploring the themes of identity, technology and experience in relation to their many and wide-ranging dissertation projects. They range confidently between the intensely personal, and the monumentally public. From Caribbean dress cultures to New York brides, from seventeenth century pageantry to the twentieth century Polaroids, from English sacred wells to cinemas in colonial Bombay, and many more fascinating stories that can be told using a design historical lens.

This year we were also proud to see exciting student-led projects that were seeded in our teaching and learning activities but took on a life of their own. These included two other dynamic and insightful publications: PUB (exploring the ‘third’ spaces of cafes, bars, restaurants, and of course pubs), and On the Bias (a captivating book of contributions from across the RCA). Then, there was ‘Fashion Becoming’ (a collaborative symposium with postgraduate students from Parsons New School Paris and London College of Fashion). In fact, if we also take into account their blog posts for the V&A Museum and so much else besides, we start to get an even fuller picture of the energy and talent of this group of emerging design historians. Resourceful, creative and unstoppable, we hope you enjoy a glimpse of our students and the fruits of their labours across these profile pages.

Our students